gfrees:

image

(via gfrees)

benjaminography:

Bart gets a new tattoo.

benjaminography:

Bart gets a new tattoo.

hellotailor:


The End of the Road - by Nicolas Delort

Supernatural?

hellotailor:

The End of the Road - by Nicolas Delort

Supernatural?

himchanspenus:

Here’s a serious advice. Even the nicest people have their limits. Don’t try to reach that point because the nicest people are also the scariest assholes when they’ve had enough.

(via geothebio)

valse-des-fleurs:

Oxford University students on why we need feminism

(via inglorious-gash)

rainbrolly:

sometimes one, sometimes the other
sometimes both

photos by mineapostasy

rainbrolly:

sometimes one, sometimes the other

sometimes both

photos by mineapostasy

(via un-gendered)

  • JESSE EISENBERG: People on the street say mean things to me.
  • INTERVIEWER: Like what?
  • JESSE EISENBERG: I get called Napoleon Dynamite because I have curly hair. I live in New York City and I ride a bicycle. I always bike down 9th Avenue and there’s this kid who goes to school there named Abraham. Every time I pass him, he calls me Napoleon Dynamite. He screams it out and his friends laugh. That was a fine movie but I wasn’t in it.
  • INTERVIEWER: What do you say back?
  • JESSE EISENBERG: I say, “Please Abraham, I’m not that man.”

gaksdesigns:

Woodcut prints by Bryan Nash Gill

(via bleuveins)

oxane:

The Twins by leestroy on Flickr.
From the Devil Dowsing show. 24x18ish.

oxane:

The Twins by leestroy on Flickr.

From the Devil Dowsing show. 24x18ish.

(via gyumbo)

fuckluckycharms:

This is a drunk guy in a McDonalds in town stuck in a baby chair
fucking love Ireland

fuckluckycharms:

This is a drunk guy in a McDonalds in town stuck in a baby chair

fucking love Ireland

(via togaskosauce)

(Source: bluewinterose, via thronesmeme)

"I myself am made entirely of flaws, stitched together with good intentions."

— Augusten Burroughs, Magical Thinking: True Stories   (via bleuveins)

(Source: larmoyante, via bleuveins)

likeafieldmouse:

Zhang Xiangxi

“A series of hollowed-out television sets frame beguiling scenes imagined in Xiangxi’s works, begun while studying sculpture at the Guangzhou Academy of Fine Art.

Situated in a small creative community in Hei Qiao Cun on the northeastern edge of the city, his studio is littered with second-hand appliances like washing machines, which become the sites of miniature worlds inspired by locations such as his old workspace in Guangzhou, the workers’ dormitory he once lived in, his parent’s sitting room, the interior of a train carriage—even his dream home. They are replicas rendered faithfully, but playfully, often using the cement, brick, glass, stone or paper materials found in their life-sized equivalents.”

its-a-trap:

from